Abstract

Brazil’s favela residents have long challenged the dominant media and social narrative that has described them by employing discourses of criminality. That prevailing, and discriminatory, view obscures the complex and multifaceted character, dynamism, and individual and collective agency of these communities’ populations. This article examines the work of Redes da Maré, a civil society organization that offers cultural spaces for community-based creation and diffusion of the arts in its namesake favela. We employ the concepts of the social imaginary as well as individual and collective agency to investigate whether and in what ways this nongovernmental organization (NGO), which has adopted a cultural development approach, encourages participants’ democratic attitudes and behaviors at the organizational and community level by fostering participation in the development process and offering a platform for the expression of the voices of those it engages. Our analysis is based on interviews with organizers and participants of Redes’ arts program and its Free Dance School of Maré and on a review of relevant events in Maré’s Arts Center. This inquiry contributes to a more nuanced view of the roles the arts can play in encouraging democratic agency and possibility among favela citizens despite adverse political and social conditions.