Crafting Modernity

Work thumb

Views: 132

  • Title: Crafting Modernity: Tracing the Transformation of People’s Republic of China (PRC) Arts and Crafts into Modern Design Expressions (1949–1979)
  • Author(s): Haoyang Zhang
  • Publisher: Common Ground Research Networks
  • Collection: Common Ground Research Networks
  • Series: Design Principles & Practices
  • Journal Title: The International Journal of Design in Society
  • Keywords: Traditional Chinese Craftsmanship, Design Evolution, Modern Design, Design History
  • Volume: 19
  • Issue: 1
  • Date: July 17, 2024
  • ISSN: 2325-1328 (Print)
  • ISSN: 2325-1360 (Online)
  • DOI: https://doi.org/10.18848/2325-1328/CGP/v19i01/1-18
  • Citation: Zhang, Haoyang. 2024. "Crafting Modernity: Tracing the Transformation of People’s Republic of China (PRC) Arts and Crafts into Modern Design Expressions (1949–1979)." The International Journal of Design in Society 19 (1): 1-18. doi:10.18848/2325-1328/CGP/v19i01/1-18.
  • Extent: 18 pages

All Rights Reserved

Copyright © 2024, Common Ground Research Networks, All Rights Reserved

Abstract

This research endeavors to illuminate the transformative journey of China from traditional craftsmanship to modern design, focusing on two significant case studies—the “Hongqi” luxury sedan and the construction of the Hegang Dongshan No. 1 Colliery. Employing a thorough case analysis methodology, we examine how these iconic entities have played pivotal roles in shaping China’s design landscape. The “Hongqi” luxury sedan, born in 1958, represents a departure from conventional artisanal practices, showcasing advanced automotive technologies and architectural innovation. Similarly, the Dongshan No. 1 Colliery, constructed with Soviet assistance, has left an indelible mark on China’s industrial and design identity. Our findings underscore the multifaceted nature of this transition, encompassing technological advancements, architectural innovation, and symbolic representations of progress. We establish that the construction and assembly of the “Hongqi” luxury sedan and the Dongshan No. 1 Colliery serve as defining markers, unequivocally establishing the transition from craftsmanship to modern design within the People’s Republic of China. This research not only contributes to a comprehensive understanding of these case studies but also provides a detailed historical account of China’s trajectory from recent traditional craftsmanship to modern design.