Abstract

This qualitative study delves into the cultural and societal implications of the Andai Tragedy, a prominent piece of Mongolian drama. The research objectives are twofold: 1) to examine and deconstruct the structure of the Andai drama, and 2) to scrutinize the representation of ethnic identity within the Mongolian drama, extracting information from both document research and field data. We utilized a non-specific random selection method to gather our sample groups. The key research outcomes were: 1) with the gradual degradation of the traditional economy, natural environment, and the process of urbanization, we noticed a convergence in national cultural values, behaviors, and psychological structures. Moreover, dilution of traditions has led to the disappearance or reduction of historical themes, traditional festivals, and belief-related practices. These changes had an impact on folk dances, which increasingly express specific sentiments related to life and beliefs but are gradually losing their basic survival traits; 2) a myriad of modern art forms is emerging, appealing to a younger audience who are unfamiliar with traditional performance styles, and thus resulting in the assimilation of varied modern artistic elements. There is increasing recognition by local governments, cultural institutions, and the public about the importance of preserving intangible cultural heritage. Concrete measures are being undertaken to ensure the sustainable development and preservation of the Andai tragedy and Mongolian ethnic identity on stage.