Abstract
My project, 504-907, delves into a visual comparison of two distinct yet intertwined regions—Southern Louisiana and Interior Alaska—through the lens of diptych compositions. Inspired by personal experiences and pivotal events such as Hurricane Katrina and the Deepwater Horizon disaster during my upbringing, this work seeks to unearth the daily rhythms and cultural subtleties that define these landscapes. Through a fusion of traditional street and documentary photography techniques, I capture the essence of daily life in New Orleans, Louisiana and Fairbanks, Alaska. The diptych format is a storytelling tool, juxtaposing each locale’s ordinary elements and unique characteristics. People, dwellings, and the minutiae of urban life—like graffiti—converge to reveal underlying connections and distinctions. At its core, 504-907 reflects the profound yearning for connection and preserving cultural identity in the face of relentless change. It evokes a shared nostalgia and sense of belonging, encapsulating cherished traditions and the looming specter of transformation. Additionally, it pushes forward the Southern fine art tradition similar to the likes of William Eggleston and William Christenberry. My work takes inspiration from Tina Freeman’s Lamentations as well.
Details
Presentation Type
Theme
The Arts in Social, Political, and Community Life
KEYWORDS
Photography, Visual Anthropology, Louisiana, Alaska, Diptych
