Abstract
Firstly, this study mentions queer theory and its particular relevance to the Chinese context as the background and points out that when using queer images and symbols in the art commodity system of queer capitalism. It should be in favour of emphasizing the diversity and fluidity of queer and desire rather than excessive abuse of straightforward symbols and stereotypical queer bodies. Secondly, the research briefly introduces the concepts of heterotopia and non-place while critically discussing several artists’ works, therefore, as a means of highlighting the importance and possibilities of space as a creative medium for queer desires and contemporary art. Finally, the author summarizes and analyzes the results of his practice, proposing analysis, deconstructing and creating space and place as directions and more possibilities for queer art creation method and research from the perspective of artistic practice, and encouraging the use of stereotypical memories to reconfigure spatial materials, adjust the function of objects and objects, let desire flow freely, and create non-functional spatial installations that challenge the isolation of rigid masculism society and structures.
Details
Presentation Type
Theme
The Arts in Social, Political, and Community Life
KEYWORDS
CONTEMPORARY ART, QUEER, QUEER ART, SPACE, ART PRACTICE, PLACE, GENDER
