Abstract
Through this research, I investigate the complicated way of developing visual representation in the Iranian film industry, from the initial stages of traditional filmmaking techniques to the contemporary influence of digital media. Iranian cinema, which has become famous for its unique features of poetic realism and complicated and nuanced storytelling, not only provides the main theme of visual artistry but also stresses the intertwined relationships among culture, technology, and vision arts. The study discusses the background of Iranian visual arts, showing the stages, components, and objective phenomena of its cinematic language emergence. The research concentrates on the cultural factors that shape the visual narratives, providing them with a genuine reflection of societal shifts and enduring themes. The investigation of censorship in Iran, and its impact on visual representation and narrative strategies in the film industry, garners significant attention. Besides, the essay explores the constantly growing impact of web technologies, social networking sites, and digital media on Iranian cinema, as well as how the new economy has turned to digitization and conglomeration. The paper deals with the global respect and influence of Iranian films and shows the international and critical appreciation gained by the film industry thanks to its own visual styles that are not available in other parts of the world. The focus is on Iranian cinema’s key figures and main works. These directors are well-known for their distinctive filming methods, screenwriting styles, and visual strategies, which led to the use of recurring themes in their films.
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
KEYWORDS
Iranian Cinema, Visual Representation, Digital Media, Cultural Influences, Censorship
