Abstract
Africatown, founded by descendants of the enslaved Africans brought to Mobile, Alabama aboard the Clotilda, exemplifies a profound narrative of resilience and cultural preservation. Established by former slaves seeking autonomy and freedom from white oversight post-Civil War, Africatown emerged as a sanctuary where African cultural traditions could flourish outside the confines of oppressive systems. This paper explores Africatown’s historical significance and its role as a symbol of liberation and generational transformation. It parallels the work of architects David Adjaye and Francis Kéré, who integrate cultural narratives into their designs. Adjaye’s Smithsonian National Museum of African American History and Culture and Kéré’s sustainable, community-focused projects both reflect principles of cultural preservation and empowerment, resonating with Africatown’s mission. Through a comparative analysis, this paper highlights how Africatown and contemporary architectural practices serve as powerful statements against historical oppression, celebrating and preserving cultural heritage. The study underscores the importance of designing spaces that not only reflect but also empower marginalized communities, illustrating the enduring legacy of Africatown’s vision in shaping contemporary architectural and cultural landscapes.
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
KEYWORDS
Design, Social Impact, Architecture
