Abstract
Bamboo baskets in the Northeastern states of India hold cultural significance, reflecting regional lifestyles and traditional craftsmanship. The grass itself is known for its versatility and sustainable characteristics making it a relevant material for innovation. However, the dynamic behaviour of bamboo weaves used in these baskets is a less studied aspect of the craft. The transformation of one 3-dimensional form to another form, garnered by a continuous strip of bamboo, is a less-explored realm and therefore is attempted in this study. The study employs a multidisciplinary approach, combining design research methods and the nuances of traditional craftsmanship. It explores the characteristics of bamboo weaves by challenging it to transition between three-dimensional forms derived from the forms of traditional baskets. The baskets that have been studied are chosen based on the complexity of their form and the transition of weaves throughout the form. The subsequent process of making unveils the principles governing weave behaviour during morphological transitions. The framework developed using these principles could ensure the survival of the traditional weaving technique and its potential modern applications. The insights gained from this study contribute to the knowledge base of bamboo as a material, and also have practical implications that will allow versatile design and artistic creations.
Presenters
Felnunmoi GangteStudent, PhD, IDC School of Design, IIT Bombay, Maharashtra, India Avinash Shende
Associate Professor, IDC School of Design, IIT Bombay, Maharashtra, India
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
KEYWORDS
Forms, Bamboo, Weaving, Transitions, Handicraft
